So, I drew this yesterday afternoon, whilst I listened to The Fragile, so it is about two hours of work and this does not include breaks, which were a lot.
The way that I’ve been working almost since I started at the Academy, is working 20 minutes and breaking 10 minutes. It’s based off of the Pomodoro method, although, as I understand, the breaks in the Pomodoro method are 5 minutes, but that’s not enough for me. I get fucking ridiculous amounts of work done this way.
I drew with graphite over some mystery paper that I scavenged at the Academy. It is way thick and toothy.
I used a picture of Milla Jovovich as my reference, it’s similar in the crop and composition, where the head is centered and cut at the top of the head and chin. It is ridiculously photoshopped, obviously. In this case, though, they completely changed Milla’s nose, they made it shorter, changed the tip to really straight and small. And I’m pretty sure they fucked with the ear that is in light, too, it looks like a cartoon ear.
The picture being so modified made me want to screw it up in my drawing, which I didn’t really screw up that much, but that person looks like a meth addict in comparison to the doll mask in my reference. I kind of really wanted to make hooded eyes and remark the upper and lower lids and their positions in reference to each other and placement in the face.
There is also some marking of the eye socket and cheekbone - zygomatic arch, some very slight frowning. It kinda looks like a snarl around the nose.
And I kinda wanted a more relaxed expression of the mouth, like when you stare off into space and the lips separate a bit. In my reference, she’s about to say something or in the middle of saying something. I remarked the node on the side of the lip that is in light and I tried to maintain that poutiness from Milla’s mouth, with the philtrum and sulcus under the lower lip.
Ditched the ears, because I don’t give a fuck about ears.
The end result, reminds me a freaking ton of Johnny Depp. With his tiny little mouth and pronounced cupid’s bow. There’s something in the pointy eyebrows and the stare and the sharpness of the features.
Sometime last year, I was commissioned to do a portrait of a girl and all the pictures I had as reference, which all happened to be selfies, just had nothing on her face. I don't know if there were filters, probably, but there was just nothing on her face and I was very annoyed drawing her, because there was just nothing there.
It was like looking at pictures in any woman's magazine of your choice. Lately, whenever I happen to stumble upon one such magazine, it just SCREAMS at me.
Maybe it's because of all the anatomy I've learned and will continue to learn, on top of knowing that every single fucking picture is shamelessly photoshopped.
It makes me incredibly sad and depressed how many viewers and readers allow themselves to be fooled and we continue to fuel the photoshop industry by believing them and continue to buy their magazines.
I think I haven't bought that type of magazine in years and years.
And I love how they pretend to leave pores and the same pattern of skin fuzz or lines by using the clone tool (I think that's what it's called).
I want to draw and see faces with expression lines and cheekbones and wrinkles on the lips and eye sockets, frown lines, like that face has fucking BEEN THROUGH something in life, goddammit. Crying, laughing, thinking, wondering, yelling, anger, sadness and all that shit. Lately I have found myself really like the lines that are just outside the lips, I find them way sexy and I like seeing them on myself, too. And my frown, I fucking love my frown, the lines and the muscles.
Anyway, enough sucking my own dick and ranting.
Art Review: Ai Weiwei at Deitch Projects
10 months ago